Information on Satire

Information on Satire

Satire arouses laughter or scorn as a means of ridicule and derision, with the avowed intention of correcting human faults. Common targets of satire include individuals ("personal satire"), types of people, social groups, institutions, and human nature

Indirect satire uses a fictional narrative in which characters who represent particular points of view are made ridiculous by their own behaviour and thoughts, and by the narrator's usually ironic commentary. In Jonathan Swift's Gulliver's Travels (1726) the hero narrating his own adventures appears ridiculous in taking pride in his Lilliputian title of honour, "Nardac"; by making Gulliver look foolish in this way, Swift indirectly satirizes the pretensions of the English nobility, with its corresponding titles of "Duke" and "Marquess."

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SATIRE: An attack on or criticism of any stupidity or vice in the form of scathing humor, or a critique of what the author sees as dangerous religious, political, moral, or social standards. Satire became an especially popular technique used during the Enlightenment, in which it was believed that an artist could correct folly by using art as a mirror to reflect society. When people viewed the satire and saw their faults magnified in a distorted reflection, they could see how ridiculous their behavior was and then correct that tendency in themselves. Indirect satire conventionally employs the form of a fictional narrative--such as Byron's Don Juan or Swift's Gulliver's Travels. Ridicule, irony, exaggeration, and similar tools are almost always used in satire. Horatian satire tends to focus lightly on laughter and ridicule, but it maintains a playful tone. Generally, the tone is sympathetic and good humored, somewhat tolerant of imperfection and folly even while expressing amusement at it. The name comes from the Roman poet Horace (65 BCE-8 CE), who preferred to ridicule human folly in general rather than condemn specific persons. In contrast, Juvenalian satire also uses withering invective, insults, and a slashing attack. The name comes from the Roman poet Juvenal (60-140 CE), who frequently employed the device, but the label is applied to British writers such as Swift and Pope as well.

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Satirical literature can commonly be categorized as either Horatian or Juvenalian, although the two are not entirely mutually exclusive.

Horatian

Named for the Roman satirist, Horace, this playfully criticizes some social vice through gentle, mild, and light-hearted humour. It directs wit, exaggeration, and self-deprecating humour toward what it identifies as folly, rather than evil. Horatian satire's sympathetic tone is common in modern society.

Juvenalian

Named after the Roman satirist Juvenal, this type of satire is more contemptuous and abrasive than the Horatian. Juvenalian satire addresses social evil through scorn, outrage, and savage ridicule. This form is often pessimistic, characterized by irony, sarcasm, moral indignation and personal invective, with less emphasis on humour. Strongly polarized political satire is often Juvenalian.

Types of satire can also be classified according to the object it addresses into political satire, satire of everyday life, and philosophical satire. Satire of everyday life criticizes mode of life of common people; political satire aims at behavior, manners of politicians, and vices of political systems; philosophical satire has as its object global vices inherent to the mankind. The state of political satire in a given country reflects the state of civil liberties and human rights. Under totalitarian regimes any criticism of a political system including satire is suppressed.

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